[Dominatrice, 1912]
after J. A. Hanriot She stands facing
us,
the solid heft
of her hips
showing no sign
of the skew and
lilt
of real flesh --
they are flush
with our eyes,
making
no exuses.
Unashamed, she stands
naked but sexless,
with
only a hint
of pubic bone to mar
her frigid symmetry.
Would she feel like
lizard skin beneath
my curious hands,
thick and cool
like an earthenware pot,
or polished
like a
familiar language?